Sunday, 9 October 2011

It's straight up dawg time



This was going to be in colour, but I got carried away with a black and white experiment. Fun fun fun! Also, my first page drawn at A2, which makes things a bazillion times easier.

Friday, 7 October 2011

Noir

Here are some warm up pieces from a project that may now be on the backburner:




Wednesday, 5 October 2011

Sunday, 2 October 2011

More life drawing, all 3-15 mins! With a lot of these I learnt quite a lot, and I'm really trying to learn how the body works. Muscle contraction, weight distribution and how the torso twists... I may not get there soon, but I'll get there.







^On the two above I did quick sketches after the poses to try and decipher my drawings and understand how backs work. The bottom left post-pose sketch shows I've got a way to go!


Friday, 30 September 2011

You know nothing, Jon Snow

Something I did for fun a few weeks ago. I drew it between reading Feast for Crows and a Dance with Dragons, so I hadn't actually read any Jon chapters in a long time, and I didn't really try very hard to get an accurate likeness. So the sword position is wrong, and if I'd actually followed the book he probably has long hair, but whatever! I'll do some more if I ever get around to it.



Don't know what I'm on about? Go read George R R Martin's Song of Ice and Fire series! They made the first book, A Game of Thrones, into a HBO series. But who the hell watches that shit? Go read the books! Fall in love with a million characters only to watch them go through hell and die!

Wednesday, 28 September 2011

I've started life drawing once or twice a week. It's fun to balance accuracy and expression, and have dedicated time to learn how to draw as well as study anatomy. Getting down likenesses of the models was always a strong point for me, but I think now that it's been a while I'm more 50/50 with it, but genuinely seem to learn something useful with every drawing. All these are 5-15 minute poses. I'll post some more up soon!








Tuesday, 23 August 2011

Busybusybusy

In the midst of moving house and doing a few comic projects, but here's an Akira piece in the meantime:


When I first read Akira I thought it was good, but pretty overrated. Otomblr's helped me understand how amazing Otomo really is, though.

Thursday, 11 August 2011

Starwatcher

Apple Pie was the first Moebius art-meme, and now Brandon Graham's started it all again with Starwatcher [I totally think that me and andy suggested this pic whilst in vancouver with Brandon, but it might have been this one I was thinking of :>]. Spent way too much time on this one, and ended up making it more of a study than anything else. Also, next time I do anything like this, I'll just use a ruler. It's such a fucking hassle without one! This was also a really fun chance to ink something more finished by hand. GO!


Sketchesssss

Me and Josh Bone met up at a tea shop the other day to work on comiccssss, and ended up doing a 2-page challenge. We each picked three random words and had under two hours to think of something. My words were circle, running and fan. It's hilariously bad, and all an excuse to mess around with semi-functional panel layouts, but I'll have to do more. I used to do this sort of thing last year with Andy Porter, so I should keep it up!





Here's a little sketch from the V&A museum in London, and below that is a drawing from above the docks in Falmouth. They're on A6 and A4 paper respectively.



You guys know Rebecca Sugar's work, right? Just checking. She's incredible.

Saturday, 6 August 2011

HAMPSHIRE FOLK TALES

Here's a couple sneak peeks at a book I've illustrated called (you guessed it) Hampshire Folk Tales, a book of folklore, myths and urban legends about the English county and it's crazy history. It was actually written by my uncle (a storyteller by trade), and is an amazing read- a lot of these books can be quite drily written, but my uncle has tried to make it as lively and organic as possible. He has a couple of amazing lines on storytelling as a whole, explaining how evolutionary stories can be, and how every different change and personal take on a narrative can create an even bigger story of it's own.


Through some misunderstanding on my part I left myself little time to do these illustrations, and while some may be a bit sparse, I had a load of fun on the book and knocked out a few good results. It's being published through History Press in November, and I'll give you details on buying it closer to the launch date!